It's practically heresy among bass players to say this, I know, but here goes: I don't like Fender Jazzes. Pregnant pause while I wait for the lightning bolt to strike me down. Nope. Nothing? Maybe the God of bass is having a day off. Or a nap. I think I got away with it. So anyway ... As I was saying, I find them heavy and unwieldy, too big and slab-like. I dislike the huge goofy lopsided headstock. The string tension is all wrong for me - too loose at the neck pickup, too tight at the bridge pickup. And I just don't like scratch plates on basses at all. No particular reason, I just think they look wrong, fugly. Putting plastic on top of that lovely wood feels cheap to me. But I've tried so hard to like them - after all, Jaco and Marcus, among many others, can't be wrong, can they?
And it sounds like a cliche, but I got fed up of walking into studio sessions with my Status or the Alembic Stanley Clarke that I used to own, only for the studio engineer to take one look at it, shake his head, suck his teeth and say something like, 'Yeah, very nice, but do you have a Jazz?' Numerous times I had to reply, 'No, I don't, and the artist hired me because of the way I sound playing THIS!' But it happened enough times that I decided I'd better get a Jazz to keep these kinds of guys happy. So, after brief dalliances with a Mexican 5-string Jazz and a standard 4 string USAJazz (hated them both with a passion!), I found this on eBay around 2008: a Fender Jazz 24. 24 frets, active electronics, no scratchplate (yay!), slimmed down body, nicely contoured, quilted maple top. Made in Korea or someplace, I think, and now discontinued. It's as close as I'll get to actually liking a Jazz. The tone is lovely, and I can manage a passable Marcus Miller impression on it, but I've discovered that huge glassy Marcus tone really doesn't suit the way I play - it's a little overbearing - and the wiry tone of the Status suits my percussive 16th note based slap style much better. Still, it's a nice looking bass, and I keep it around mainly for other guys to use, since my Statuses are set up in such a way that they feel weird to most other bass players. Anyhoo, here are the pics, and you can see and hear me tackling a solo bass version of Michael Jackson's Beat It with it here: https://youtu.be/4rYdSka4afw. Feel free to comment or ask any questions you may have!
3 Comments
Frank Dekker
8/16/2016 08:42:38 am
I can't believe how much I agree with you and have had the same issue with a status2000 rolling eyes ar first and engineers saying its a loud "bastard" but sounds brilliant. One said it sounds like a "sample" now in studio bloke terms that's as good as it gets. Fekkin hate fenders, especially p basses, the odd jazz I'll only put up with
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8/17/2016 03:06:13 am
I'm the opposite, I love Jazz Basses, they're my faves. Each to their own though.
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Amy Rock
6/26/2017 07:17:51 pm
I am wondering if you happen to know what the radius at the nut is. My daughter plays bass and has an ibanez sr300 and a custom Warmoth, which she had made with a neck that was as close to the Ibanez as it could be - meaning very slender. She also likes how her Ibanez has 24 frets. We couldn't get that on the Warmoth, but it's obviously superior to the Ibanez because the Ibanez was an inexpensive starter bass.
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AuthorMy name is Karl, and I'm a professional bass player. Here I present some of my thoughts and observations from the road and the studio. Archives
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